The Future of Education

Edition 14

Accepted Abstracts

Symbolic Revelations in Children’s Musical Creations

JohannaMaria Roels, Coimeva Comm.V. (Commplementary Initiatives in Music Education and Various Arts) (Belgium)

Abstract

Psychoanalysis has long taught us to understand and interpret the symbolism contained in the language of dream images and the imagination. This has resulted in a better understanding of the human mind and human behaviour. On an artistic level, it has been known for decades that the symbolic significance of many works of art is based on dream imagery and the imagination. This symbolic significance can be found not only in the work of adults, but also in the work of children, specifically in their plastic creations. The impact of their imaginations and dreams in this process has been recognized for quite some time in developmental psychology. In contrast, research into the impact of imagination and dreaming on children’s musical creations is unknown territory. Especially the way in which children are able to transform musical phenomena into symbols or expressions of archetypes remains unexplored. This study highlights the fact that examples created by children can be very important for both further nuancing musical symbolism and for generating a vocabulary related to auditory archetypes.

Keywords: archetypes, children, imagination, music composition, symbolization

References

Arom, S. (2004). African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge UK: Cambridge University Press.

Author (2002).

--- (2014).

--- (2015).

--- (2016).

--- (2016a).

Birtwistle, G. (2010). ‘Spontaniteit’. [Spontaneity]. Kunstlicht 31, 1, 42-48.

https://www.artway.eu/content.php?id=1117&lang=nl&action=show

Bjørkvold, J.- R. (1992). De Muzische Mens. Het kind en het lied - spelen in alle  levensfasen  [The Child and the Song]. Rotterdam: Ad Donker.

Blok, C. (2003). Beeldvertalen: de werking en interpretatie van visuele beelden. [ Image translate]. Amsterdam: University Press.

Bolen, J. S. (1986). Godinnen in elke vrouw  [Goddesses in Everywoman]. Rotterdam: Lemniscaat.

Boulez, P. (1989). Le pays fertile. Paul Klee. [The Fertile Land]. Paris: Gallimard.

Burnard, P. &Younker, B.A. (2004). Problem-Solving and Creativity: Insight from Students’ Individual Composing Pathways. International Journal of Music Education, 22, 59-76.

Cooper, B. (2009). Child Composers and their Works: A Historical Survey. Lanham,         Maryland: Scarecrow Press.

Doğantan-Dack, M. (2013). Tonality: the shape of affect. Empirical Musicology Review, 8, 208–218  http://emusicology.org/article/view/3943

Estés, C. P. (2018). De ontembare vrouw [Women Who Run With The Wolves]. Haarlem: Altamira.                          

Foks-Appelman, T. (2004). Kinderen geven tekens. De betekenis van kindertekeningen en kinderspel vanuit het perspectief van de analytische psychologie [Children give Signs]. Delft: Eburon.

Gallbach, M.R. (2006). Learning from Dreams. Einsiedeln: Daimon Verlag.

Humbert, E.G. (1988). C.G. Jung: The Fundamentals of Theory and Practice. University of Minnesota: Chiron Publications.              

Johnson, B. R., & Onwuegbuzie, A.J. (2004). “Mixed Methods Research: A Research Paradigm Whose Time Has Come”. Educational Researcher, 33,7, 14-26.

Jung, C. G. (1976). De mens en zijn symbolen [Man and his Symbols]. Amsterdam: Amsterdam Boek  B.V.

--- (1995). De Held en het Moeder Archetype.  [The Hero and the Mother Archetype]. Rotterdam: Lemniscaat. 

--- (2003). Archetypen. Rotterdam: Lemniscaat.

---(2008). Children’s Dreams. New Jersey: Princeton University Press

Kozel, D. (2016). Mythological Archetype in Music and Principles of its Interpretation.

International Review of the Aesthetics and Sociology of Music, 47, 1, 3-15. 

Published by: Croatian Musicological Society.

https://www.jstor.org/stable/43869451

Landon, H.C. Robbins. (2001). Wolfgang Amadeus Mozart. Leeuwarden: Blue Stone Publishers.

Lukas, F. (1894). Das Ei als kosmogonische Vorstellung. [The Egg as a Cosmogonic Idea]. In: Zeitschrift des Vereins fûr Volkskunde, 4,1, 227-243.

Martináková-Rendeková, Z. (2006). Musical Archetypes and Memes - Basic Natural Principles of Musical Work. Proceedings of the 7th WSEAS International Conference on Acoustics&Music: Theory&Applications (pp 13-17). Croatia: Cavtat.

Neuroscience (2020). How strong is your mental imagery?

https://neurosciencenews.com/mental-imagery-neurons-16345

Scherzinger M. (2006). Gyorgy Ligeti and the Aka Pygmies Project. Contemporary Music Review, 25, 3, 227 – 262.

Schopenhauer A. (2012). The World as Will and Idea. vol.3. [Ebook #40868] http://www.gutenberg.org/files/40868/40868-h/40868-h.html#toc41

Smeijsters, H. (1991) Muziektherapie als psychotherapie. [Music therapy as psychotherapy]. Assen/Maastricht: Van Gorcum.

Stone, H & S. (2006) Thuiskomen in jezelf. Voice Dialogue handboek.  [Coming home to yourself]. Groningen: De zaak.

Sundin, B., McPherson,G. E. & Folkestad, G. (1998). Children Composing. Sweden: Lund University.

Unger, H. H. (1969). Die Beziehungen zwischen Musik und Rhetorik im 16. – 18. Jahrhundert. [The relationship between Music and Rhetoric in the 16th-18 Century]. Hildesheim: Georg Olms Verlag.

Van Manen, M. (1990). Researching Lived Experience: Human Science for an Action  Sensitive Pedagogy. Ontario: Althouse.

Back to the list

REGISTER NOW

Reserved area


Media Partners:

Click BrownWalker Press logo for the International Academic and Industry Conference Event Calendar announcing scientific, academic and industry gatherings, online events, call for papers and journal articles
Pixel - Via Luigi Lanzi 12 - 50134 Firenze (FI) - VAT IT 05118710481
    Copyright © 2024 - All rights reserved

Privacy Policy

Webmaster: Pinzani.it