The Future of Education

Edition 14

Accepted Abstracts

The Off Book Project: Changing School Patterns Through Theatrical Means

Anca Colibaba, Gr. T. Popa University / EuroED Foundation (Romania)

Carmen Antonita, Scoala Primara Euroed (Romania)

Irina Gheorghiu, Albert Ludwigs Freiburg University (Germany)

Stefan Colibaba, Al. I. Cuza University (Romania)

Ovidiu Ursa, Iuliu Haţieganu University of Medicine and Pharmacy Cluj (Romania)

Rodica Gardikiotis, Gr. T. Popa University of Medicine and Pharmacy (Romania)

Abstract

The article focuses on the OFFBOOK project (Programme: Erasmus+/2017-1-LT01-KA201-035235), developed by partners from Bulgaria, Greece, Latvia, Lithuania, Romania and Slovakia. The article focuses on the challenges that European school faces nowadays and outlines the strategies to meet them as proposed by the OFFBOOK project, by using new educational methods and tools related to drama performances. The OFFBOOK project targets young European students with ages ranging from 15 to 17 and creates materials in order to provide them with the knowledge and competences to combat discrimination and exploit multiculturalism as an added value. The article presents the project main objectives, activities and outcomes. The article focuses on the main method used aiming at changing school systems patterns through theatrical means. The method applied in the ”Theatrical Laboratories” will enable teachers to deconstruct existing discriminating behaviours in classrooms in a multicultural environment and develop students' transversal skills. The article examines the project’ most recent output: the guidelines, “Teachers on Performing Arts to Promote Integration at School” and highlights its methodological and pedagogical aspects.     

Keywordsstudents, multiculturalism, discrimination, drama performance.

References:

[1] The Council of the European Union, Council Directive 2000/43/EC of 29 June 2000 implementing the principle of equal treatment between persons irrespective of racial or ethnic origin, Official Journal L 180,19/07/2000 P. 0022 – 0026. Retrieved from
http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=CELEX:32000L0043:en:HTML  (01.04.2018)
[2] European Commission, DG Education and culture, Retrieved from https://ec.europa.eu/info/sites/info/files/management-plan-2015-dg-eac_july2015_en.pdf  (01.04.2018)
[3] European Commission, 2015. Teaching profession, Eurydice Report, Retrieved from http://eacea.ec.europa.eu/education/eurydice/documents/thematic_reports/184EN.pdf  (15.04.2018)
[4] Levy, Jonathan. “Reflections on How the Theatre Teaches.” The Journal of Aesthetic Education, vol. 39, no. 4, 2005, pp. 20–30. Retrieved from http://www.jstor.org/stable/3527389?seq=1#page_scan_tab_contents  (10.04.2018)
[5] Wilhelm, Jeffrey D., et al. Imagining to Learn: Inquiry, Ethics, and Integration through Drama, Heinemann, Portsmouth, NH, 1998. (02.05.2018)
[6] Kolb, D. and Fry, R. Towards an applied theory of experiential learning, In C. Cooper (ed.), Theories of group processes. NY: John Wiley & sons,1975. Retrieved from  https://www.researchgate.net/profile/David_Kolb/publication/
238759143_Toward_an_Applied_Theory_of_Experiential_Learning/
links/57d2aea608ae5f03b48cbdd0/Toward-an-Applied-Theory-of-Experiential-Learning.pdf   (04.05.2018)
 

                                                                                                                              

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